Jane Marx, Herself.

Where I am right now? Breathing, vertical and not crying. An accomplishment. Knowing time passes, I’m exploring interests and taking risks. Concluding we’re here to have fun.

Some recent risks…

  • Babe Maloney in original “Chicago” 1926

  • “Her” in GPS Queens Short Play Festival

  • “Never Play Dead” monologue National Arts Club

  • Lone Actor in “Interview for Eternity ”ARS 21 Festival, Kiasma Museum, Helsinki.

  • Solo traveler to Finland to see myself

  • Painter putting on machinations of mind proving color a language unto self

  • Hanging with 20-40 year old’s to learn current versus antiquated

  • Forgiving myself transgressions

  • Staying hydrated

STRONG LIKE BROOKLYN.

Well this is surreal! ✨🍻💪🗽🍻✨

I've got a new website

This is my new blog. I’m issuing it in the new year with my new website, www.janemarx.com, designed in collaboration with my friend and documentarian Caroline Macfarlane.

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I’m getting in touch with the fact that I’m all I have. Knowing there’s more to me than I’ve exposed, I’m going after my full potential. Our name’s the greatest link between our identity and our individuality. I’m acknowledging where I am; at the crossroads of my life. The path’s clear. Stagnation’s death, and no risk is the greatest risk of all. I have to carry on.  

My age makes the decision-making more appealing. Up to this moment, I’ve supposed the courage will never come through the door. I’ll employ my old avoidance tactic. l’ll take a nap whenever desire nags, but that runs its course. There’s a discontent when I look straight on in the mirror. I need to test out my father’s last words.  “Your passion’s the stage. You’ve the talent. You’re a performer.” The decision’s mine. I have to expand.   The power of possibility provokes.  As the person in charge of my energy field, I’ll stoke the fire.  I could look ridiculous, but that’s not close to boring. I relax. If you’re curious; stay tuned. Or unsubscribe; another choice.

The Frame Counts

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The frame counts. Inside of which you put your life, examining it every now and then, you place it on the wall like a piece of art and study your chronology. Puzzled by your contradictions and changes of mind, you’re relieved to uncover desire still exists among the detritus. You want three things: self-assurance, confidence and focus. And there’s your life coach Scratch egging you on. “If you could harness your talent you could make enough money to have a marble bathroom. Think of that as the lure to get you going.”  

Frankly, I never once gave my bathroom a cerebral glance. I’m thrilled to have a flushing toilet, running water and the choice of a bath or a shower. I’m laughing. Scratch is frustrated. “You need to start thinking of money.  You could work into your eighties. If only you would take this opportunity now to examine your essence.”

Which I shall be doing this coming New Year.

Risk: part one

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The greatest risk is no risk at all.   When I get the gist of this I get moving. I rethink my website, nytourgoddess.com. I begin to see it as too limiting. I'm more than that. If I wish to go after my destiny, my responsibility is to get myself out there. I have to build a new site, using my name. It must be janemarx.com. That'll link my identity with my individuality. Finally, I make a decision. I'm off the fence. I call my close friend Scratch. He's been on my case for years to honor my father's directive. “Go back to the stage. Fufill your potential. How many times do I have to tell you? You’re a performer.”

The trouble is when my dad informs me of who he thinks I am, I don't know who he's talking about. I'm so far away from myself, I'm walking around empty. But I do grasp the intent of his final words. “After I pass, have a good cry and move on." 

I do and two decades later I get what he means. I inform Scratch. "I'm ready to move forward. I'll go to your hair stylist and colorist in the building on Madison Avenue, one floor below Frederic Fekkai, since you insist this will shake me out of my inertia.  I’ve got to start somewhere." 

Thus ends my traveling uptown to East 111th Street to Sonia's Beauty Hideaway to get my hair cut and colored. I'll miss those Dominican women so patient with me as I converse with them in my "baby" Spanish. That's the reason I'm up there in the first place. I'm convinced these attempts at my becoming bi-lingual will energize my brain plates and stave off dementia. My hair looms as the least of my concerns. 

"I can tell" says Scratch and he demands I buy a brush. This purchase is proof of my turning point. I'm shifting away from focusing only on maintaining a flexible spine, full hydration and clean lungs. Scratch senses victory. He says, "It’s all about looks and merchandizing yourself. You have to practice being ‘camera ready’ every time you go out the door; even grocery shopping. The paparazzi will hound you. Pretend they're all around you and you're already working. That will instigate the shift.”      

It's too surreal for me to step inside this scenario. But I do recognize my reality.  I’m a rank beginner at embracing who I am. This is my feeling as I stand there alone inside Sherwood Salon, so named after the major investor. 

A woman steps up to greet me. She asks, “Would you like coffee, caffeinated or not, tea, caffeinated or herbal, mineral water or still?  Another frees me of my coat, bag and scarf. Robin approaches. He says “ Scratch has already described you. Here's my story. I’m a momma’s boy. The youngest of five. I grew up in rural Indiana. I’m also a registered pharmacist. Every now and then I have to do a stint at a drug store when these big personalities eat me alive.  He asks,   “What do you want?” I freeze. I can't articulate  what that is but hair-wise, I've no clue. I take a stab. I say, "Immortality. The rest I leave up to you.”  

Out of nowhere, Scratch interrupts. He says, “You're being ridiculous. Giving up your power to your hairdresser. Are you mad?  Do you not yet understand the importance of why you’re here? Hair is the depository of self-esteem. I want you looking confident. And he turns to Robin. "Keep the top and sides long. As it grows, it must maintain its shape and move in sync with the wind."   

I say, “Unless I bring a fan that's not happening. I’ve curly locks. They're immobile.”He says, “Have you heard of blow drying? First impressions count. Once you're through the door, you can act up." Which is when Robin says, “You're moving your head. Maybe it would be best if you sit still and keep quiet. " Scratch warns. “Stop listening to her. That's your problem. Look at me. I'm the boss.”  Robin does every time he picks up his scissor. I'm silent, watching my hair becoming straight, with a few waves at the crown, several strands over my ears and fly away bangs descending onto my forehead.

I don’t recognize myself.  Scratch says, "Good."         

Getting out of neutral: the end

Orange gives me life. If it was a person, I’d give it my gratitude. But as it is part of a larger whole, the color spectrum, I begin to feel thankful for that and prisms. They disperse light.  We’re here to emit our own. How to get mine out, is my issue and why rainbows taunt. My gut responds, “In there is you.” What that means is unclear until a particular day, walking down the street, I’m stopped by a stranger’s pointing finger.

“Tell me you’re a funeral director, I’ll shut my mouth. In my eyes you look dreadful.” She reads me like a sign. I’m at odds with myself and unsure why.  “Shame on you. You’re committing a crime, burying yourself alive in that navy, black and gray. You’re wearing a shroud. “

Then I get the real shocker.  “In no aspect do you look alive. When you’re worthy of full exposure. You’re golden. Your skin, eyes and teeth are yellow.  I can spot an autumn anywhere. I’m a Color Me Beautiful expert. People pay big bucks to hear what I’m giving you for nothing.”

Wishing her to continue, I give her a hug.  She pats both shoulders and whispers, “Orange” and disappears.

As if in a trance, I do her bidding. I throw everything out of my closet, drawers, my hat boxes, even my silver adornments. Then something happens. The hyperactivity inside my head comes to a halt. What am I doing differently? I get it. I’m concentrating on a singular focus; the many shades of orange.  From fresh orange, burnt orange, blaze orange, carrot orange, peachy orange, yellow orange, tangerine, safety orange, goldenrod and vermillion. I’m flying high with excitement. I get this idea. My instincts have to take me shopping, because what I’m going to do is wear my emotions.   

There hanging on a rack is a curly lamb jacket. I laugh hysterically, put it on, buy it and go out the door. Greeted with a flurry of shouts, I’m surprised and disconcerted. “Hey there. Big Bird.”  Those sillies. “I’m in sunrise orange. That anthropomorphic canary’s in bright yellow.” But I’m more welcoming when a guy puts his microphone close to my face wanting to know my thoughts on new year’s resolutions. “I’m against them.”  That’s all I say. He speaks to me for another twenty minutes. I get 31 seconds of air-time on the David Letterman Show.

This exposure ignites my creative juices. I buy a bright orange boa. It’s portable. It’s versatile. It goes with everything. This new accessory lands my photo on the blog “Advanced Style.” In this instance, “Advanced” means the wearer’s old. More precise, I’m “early elderly,” 75. Each breath moves me forward, straight to the Whitney Museum gift shop.

My image is on a poster with others half my age and younger. A marketing director for a sportswear line admires my outfit. There I am in an apricot sweatshirt draped over my own long orange peel dress.  Then I get busy experimenting, adding red, yellow and green, and notice other people’s eyes lingering on me. A thirty-something woman stalks me for me three blocks.  I’m more than self-conscious. I’m furious. I ask why.

“Excuse me. All I’m doing is accumulating evidence. You’re proving my point. Age is energy. Which is why I want you as the model in my two-minute video showing my collection of Lucite jewelry. Some pieces I leave pure. Others I dye. This year, it’s turquoise and amber.”    

Disagreeing with her premise, I tell her I’m wrong for her audience. I’ll serve to distract, turning her earnest endeavor into a farce.  She’s adamant. She won’t hear another word. “I’m all about inclusivity. Everyone, young or old, can wear what I make. It’s not just your attire. You’ve a bright spark which the camera will reveal.”            

Inside my personal prism, I’d call that color orange flame.   

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getting out of neutral: part one

This is what happens when you age. You have to watch yourself every step of the way. Any minute you could get dizzy. Your blood pressure could drop. You’ll have to wait, drink water and then resume your activity. For me, what I like to do best is to keep cutting away my dead weight. Anything that gives me a stomach ache, I'm not doing. That's why I stop driving. I discover looking straight ahead bores me. There's too little stimulus. My eyes roam.  The driving instructor, when he notices, goes ballistic.  “Use your mirrors. No turning around. You could lose control of a killing machine.”   

That makes me uncomfortable. The skills that are demanded are outside my ken."     

Here I am the day of the test. There’s the examiner opening the curbside door. He has papers on a clipboard. I try to read even one of them. I can't. His hands are shaking. I ask, “What’s wrong?” He says, “I’ve the jitters. You’re my first. I’m new at the job. To be able to discern who's a menace. That's a responsibility." He looks at me.  I say, “I've to concentrate. Then I get sleepy. All I want is a nap. There are too many rules. I'm constricted. How do other people do it? I’m listening to Honky Tonk Woman, tapping out the beat with the gas pedal. I go through a red light. I shock myself. I had no idea."            

He says, “You are who you are and sooner or later it catches up to you. Or you'll get sick. I'd say stop that lock-step you have with the crowd. Get out of neutral. From all appearances, you're more colorful my dear."  

Really? I say to myself. All I want is a license and buy a car to get to my job, teaching high school social studies. When I pass, I get busy. I'm taking my new red 1966 six-cylinder Chevelle out of the dealership. I'm sitting up tall. I see a stop sign ahead. I put my foot on the brake and I keep rolling. I try it again. Same result. Which mystifies me. I'm doing everything right and everything's coming out wrong.  

I pull over. Up goes the emergency lever; out I go to give that salesman a piece of my mind. "There's zero mileage on the odometer. What gives?" He says, "You need brake fluid. That's it. Relax." 

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Relax. He's a madman. I could have caused a vehicular homicide; or my own extinction. I'm a nervous wreck inside a car I could wreck; a negative double whammy. Every time my key goes into the ignition, blood oozes out from between my lips. The tip of my tongue searches for shards of glass. I'm doing a dry run for an inevitability.  My head could go through the windshield.  

My first accident, I take my right hand off the wheel. I wave to a friend. My left one keeps steering. I hit a parked car. There’s a man’s inside reading Newsday drinking coffee from a Styrofoam cup. Then comes the fuss. I can't figure out why. Since I've vacated my body assuming a bystander pose, I take no responsibility. It's that woman who looks like me. She's the one. Yet it's me he addresses. "There's something wrong with you. Oblivious to where you're going, yet you insist on being on the run."    

What I want is to be in a collision. Be rid of myself at last. His words sting. I pick my car up from the fix-it shop. For a couple of months I've relief; until the day I think I get lucky. I find a parking spot across the street from the entrance of my apartment house. The next morning, I'm leaving, my doorman approaches. He tells me someone rammed into the front of my car. Fled the scene. He's got their license plate number.  

I'm stunned. Feel violated. Cry.  

Then there's the snowstorm incident. I'm waiting to get onto the 59th Street bridge. A taxi slides into my trunk. I get out. The snow's blinding. I wipe away a few flakes. See nothing. Wave him on. Later it melts. I've a big hole. I didn't look carefully. Getting me to my last mishap. I'm driving at an appropriate speed when a woman cuts in front of me and scrapes my door.

That's it. I'm out of here. I quit my job. To force myself to sell my car. It's lopsided logic, but I'm aware; I like teaching on Monday. As the week progresses, I like it less. By Friday, I'm smoking for want of something else to do. Thus,  I change direction. Using the subway map, I'm all over the place. Finding work near stations, I'm now on the G train.  Positively giddy. It's my first ride ever. July 26, 2019. It's for a job, where no remuneration is offered. Our currency is fun.

It involves Caroline, 34 and Catharina, 31. They're videographers waiting for me in Feng Sway, a vintage emporium in Greenpoint, Brooklyn. We're continuing our shopping spree; looking for what suits me and complements our mission. That is a two-minute video showing the fall collection of handcrafted Lucite jewelry made by their friend Corey, who's 30 and lives in Canada. I'm the model. I'm 75.

Initially, my involvement begs for an actor in an absurdist comedy. I'll go along. There is an illogical juxtaposition. I'm inching towards the exit simultaneously reclaiming my prime. It's the hallucinatory effect created by intergenerational communion. Though I do get real when they hand me a baggy pair of jeans. "I'm too old." They differ. "You rock. You push the envelope naturally."

They repeat that as I'm pulling down a green and black reptilian pattern spandex top. It ends above my navel. There in view is fibrous tissue; part of my emergency appendectomy scar. My brush with peritonitis. Inside Wickersham Hospital, somewhere between the 5th to 11th floors, in an office building before New York State shuts that medical facility down for malpractice and a wrecker's ball destroys the entire structure. 

But miracles inhabit memory. There I am taking a photo of me in that scanty set-up, putting it on Instagram and Facebook. Overexposure to some. For me, it's the beginning.          

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